1. Dialectic of Enlightenment
a. What is "Enlightenment"?
Enlightenment is concept to spread knowledge
built on rationalism, logic and autonomy about nature and in order to get rid
the history of myths about the world.
b. What is "dialectic"?
It is about discussing what is truth by
rational discussions. People have to clarify what is not truth and comparing
and listen to each others knowledge and opinion.
c. What is "nominalism" and
why is it an important concept in the text?
It’s about that general concepts isn’t
anything except of the individual object. Objects don’t exist only because it
has a general thing named by it.
d. What is the meaning and function of
"myth" in Adorno and Horkheimer's argument?
Myths are the explanation of things to
fill the gap of knowledge. Myths are more based on feign and stories than by
rationalism and logic.
2. "The Work of Art in the Age of
Technical Reproductivity"
a. In the beginning of the essay,
Benjamin talks about the relation between "superstructure" and
"substructure" in the capitalist order of production. What do the
concepts "superstructure" and "substructure" mean in this
context and what is the point of analyzing cultural production from a Marxist
perspective?
Substructure can relies to what the
production is constructed of and superstructure is what the substructure build.
Like a painting consist of paint, paper and so on, but the superstructure is
the art.
b. Does culture have revolutionary
potentials (according to Benjamin)? If so, describe these potentials. Does
Benjamin's perspective differ from the perspective of Adorno & Horkheimer
in this regard?
Yes, because it is easy to spread and it
can contains messages that is easy to adept, and in this way is a kind of
enlightenment.
c. Benjamin discusses how people
perceive the world through the senses and argues that this perception can be
both naturally and historically determined. What does this mean? Give some
examples of historically determined perception (from Benjamin's essay and/or
other contexts).
Naturally perceive is how we naturally
perceive things around us. But we can change our way to perceive things by
historical and cultural changes. Benjamin mentions, for example, the way of how
people changed their way of looking at art in the fifth century by Romans.
d. What does
Benjamin mean by the term "aura"? Are there different kinds of aura
in natural objects compared to art objects?
The aura is
the authenticity of an artwork, like in a painting, that not can be reproduced,
like a copy of a photo.
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